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ranrata: (house-housewilson)
It's almost...disturbing, really.



House/Stacy and House/Wilson: Compare and Contrast
I always thought House's interactions with Stacy were most similar to his with Wilson. This is a good thing. Let's make this clear: House loved Stacy, Stacy loved House, and House's relationship with Stacy is the only standard available to see what he's attracted to and what does and doesn't work in relationships. The fact that his relationship with Wilson most closely resembles this one speaks volumes.

This section is just a few of many, many points that could become an essay on their own, and focuses on points relevant to "97 Seconds."

In "Need to Know," House says he can't make Stacy happy. In "Babies and Bathwater," Wilson expresses that House is one of the two things going for him in life.

Expanding on that, House expresses in "Need to Know" that he can't/isn't willing to change for Stacy, which is why he ends up sending her away. On the flipside, House is repeatedly shown following Wilson's suggestions (long list, but the episode "Human Error" makes this most obvious) and seems to do everything he can to keep Wilson around. However, in both scenarios, House is doing something difficult for someone he loves - he'd rather have Stacy be happy than be with him, and he makes changes in his life because of Wilson despite not being comfortable with change.

Stacy and Wilson have both faced the dilemma of whether to watch House (maybe) die, or try to do something; granted, the matter Stacy faced was more pressing, while Wilson has to deal with House's health in the long term.

Stacy risked her relationship with House to save him. Wilson risked his relationship with House by turning him into Tritter to get him a deal that would save him in more than one way (you know, if Tritter had kept his word...and House hadn't stolen oxycodone).


Three Stories and 97 Seconds: Parallels
In a broader scope, there a many parallels between "Three Stories" and "97 Seconds." Obviously, in both episodes, the topic of House not believing in the afterlife comes up.

House is technically dead for a short time in both episodes.

Both Stacy and Wilson touch on House's lack of self-worth. (This is further underscored in "97 Seconds" when House says he wanted Amber to find him, because she would have an incentive to revive him.)

    Stacy: Would you give up your leg to save my life?
    House: Of course I would.
    Stacy: Then why do you think your life is worth less than mine?

    Stacy: You don’t think you deserve to live? You don’t think you deserve to be happy?

    Wilson: Maybe you didn't want to die, but you didn't care if you lived.

Both episodes leave House marked - the amputation with the scar on his right thigh and the electrocution with a burn on his left hand.

Both episodes feature "fake ducklings" - "Three Stories" had the medical students, "97 Seconds" had Foreman's fellows. (Yes, this has also been done in "Airborne" and "Human Error," but it's interesting to note.)

Both episodes have doctors making costly errors, and House indirectly making an error. House's doctors fail to diagnose the infarction in time to avoid complications, but House himself failed to diagnose himself for three days. In "97 Seconds," Thirteen's lack of attentiveness keeps her from knowing the patient hadn't taken the medication, but House himself was also inattentive.


Opposites
Just as there are interesting parallels, there are interesting differences between the two episodes that are direct opposites. In "Three Stories," House can't get more morphine despite practically begging for it; in "97 Seconds," Wilson offers up extra painkillers without being asked.

The scenes being compared in the two episodes happen at opposite times: the scenes with Stacy occur before House goes under. The scene with Wilson happens after House wakes up. There's a sense of some kind of continuity there.


"That Scene"
Right away, something about this scene seemed familiar. The visuals are similar to those in "Three Stories," as well as the music cues, and even lines of dialog. It's a little difficult to believe this was all done by mistake.

The first shot of House in the hospital bed in both episodes is very similar; it's interesting to note that the shots in "No Reason" don't resemble these two (I would put it here, but that's a bit too much work for one screencap for me, so take my word on it).



I separately noted that Stacy is to House's right, while Wilson is to House's left, and that House is scarred on his right leg in "Three Stories," while he burns his left hand in "97 Seconds." Then I noticed that the two might be connected.



Two pieces of dialog are the same in both episodes. Stacy says, "[God,] you're an idiot." Wilson also says, "You're an idiot." House says, "I love you" in both episodes.

"I love you." This is the real clincher. Hugh Laurie's line delivery would have been completely identical in the two scenes, except House was weaker and about to go under in "Three Stories." The music cue is also the same - the scene starts with no background music, just the beeps of machines, and then is subtly introduced and finally hits climax right after the delivery of "I love you." Finally, House's eyebrow-raise is also the same in both scenes, thus it wasn't a sarcastic eyebrow-raise.



It's eerie, isn't it?

Comments

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ext_25649: House sucking a lollipop while staring at Wilson (Default)
[identity profile] daisylily.livejournal.com wrote:
Oct. 14th, 2007 04:29 pm (UTC)
Very eerie, and also wonderful :D
[identity profile] razberrycreme.livejournal.com wrote:
Oct. 14th, 2007 04:55 pm (UTC)
Wow, so much proof...*forwards a thousand times to TPTB >.>*

Also, who knew the eyebrow raise = love :D
[identity profile] arwydd.livejournal.com wrote:
Oct. 14th, 2007 05:00 pm (UTC)
How wonderful! I'd thought about the similarities myself... seeing the screencaps and such cinched it. There's just no way all this is mere coincidence.
[identity profile] theyreforrachel.livejournal.com wrote:
Oct. 14th, 2007 05:12 pm (UTC)
Aha! The eyebrow raise!
[identity profile] mbcorp.livejournal.com wrote:
Oct. 14th, 2007 06:22 pm (UTC)
Fascinating analysis! Somebody really needs to put both clips up on youtube!
[identity profile] ralaegidius.livejournal.com wrote:
Oct. 14th, 2007 06:58 pm (UTC)
Personally I'm in awe of Hugh Laurie's ability to look so much younger in "Three Stories" just with subtleties of body language. Either that, or he's much more accomplished than we realize at looking older on the show on a regular basis.
[identity profile] beandelphiki.livejournal.com wrote:
Oct. 16th, 2007 12:16 pm (UTC)
I think part of it is makeup, though. Even during the episode itself, HL looks MUCH younger in those scenes.
[identity profile] wickedground.livejournal.com wrote:
Oct. 15th, 2007 12:23 am (UTC)
totally memming this. you rock!
[identity profile] ringhelediel.livejournal.com wrote:
Oct. 15th, 2007 08:05 am (UTC)
aahhahaha~!! this is waaay scary ^^
[identity profile] brenda79.livejournal.com wrote:
Oct. 15th, 2007 09:55 pm (UTC)
This is amazing. Now I have more canon information to go crazy on. ^__^
[identity profile] blesothia.livejournal.com wrote:
Oct. 15th, 2007 10:19 pm (UTC)
House-mania! n__n

You did do a an awesome analysis, I've never even seen anything so convincing and thorough! *glomps j00*
[identity profile] ranrata.livejournal.com wrote:
Oct. 16th, 2007 07:01 pm (UTC)
Are you actually watching House now? Have I converted you to the dark side from my incessant yammering? =D
[identity profile] beandelphiki.livejournal.com wrote:
Oct. 16th, 2007 12:21 pm (UTC)
The music cue is also the same - the scene starts with no background music, just the beeps of machines, and then is subtly introduced and finally hits climax right after the delivery of "I love you."

Eh. I'm not sure about "Three Stories" because I haven't watched it in a while, but in "97 Seconds" the music is used as a transition between this one and the dramatically dying POTW. I'm not sure how we're supposed to read that.


But I seriously love this post for pointing out the eyebrow raise and the line delivery being the same in both cases. I never would have noticed that myself, and you are brilliant for spotting it.
[identity profile] ranrata.livejournal.com wrote:
Oct. 16th, 2007 07:00 pm (UTC)
...but in "97 Seconds" the music is used as a transition between this one and the dramatically dying POTW. I'm not sure how we're supposed to read that.

I was actually thinking about that the other day...but came to the conclusion that it's still very odd that it climaxes right after "I love you," rather than during the next scene.

And, gracías =)
[identity profile] meomaow.livejournal.com wrote:
Oct. 16th, 2007 01:11 pm (UTC)
That's...true...OHMYGOD! It can't be a coincidence!
Thank you for the excellent meta! And the screen caps! :D
bell: rory gilmore running in the snow in a fancy dress (Default)
[personal profile] bell wrote:
Oct. 21st, 2007 12:04 am (UTC)
YOU READ MY MIND.

The visual, situational, and relationship similarities are undeniable!

[identity profile] daasgrrl.livejournal.com wrote:
Oct. 23rd, 2007 10:53 pm (UTC)
Excellent stuff! I'd noticed the visual similarities, but the whole opposites thing was really intriguing. And lovely :)
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